Smokin Books

May: Smokin’ Books

This edition of Smokin’ Books is fashionably late because I turned thirty over the weekend and I had to deal with that. I actually feel pretty chill about turning thirty. Let’s do our thirties now, etc. I’ve been balls deep in great books this month – a flight to Prague helped speed things along. I always travel with a book for each leg of a journey, one for whilst I’m there and a back up book just in case. The one time I didn’t follow this simple formula, I ran out of books by the flight home and it was a fucking disaster. I had to read The Alchemist.

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The Girls by Emma Cline.
California, 1969: a long, lonely summer of suburban ennui is shattered when fourteen year old Evie meets bohemian free spirit Suzanne. This is The Electric Kool-Aid Acid Test meets The Poison Tree with a squeeze of The Beach and I loved it very, very much. The writing style is almost breathless, dreamy and vivid, like the elaborate diary of a teenage girl. I feel like this is up there in “most anticipated books this summer” and if you can afford the hardback, I urge you to pick it up asap. (UK release: June 16th).

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Nobody is Ever Missing by Catherine Lacey.
Elyria hitches rides with strangers, sleeps in barns, hangs out in roadside diners and gradually reveals why she opted to leave the rain and pain of New York to hitchhike around New Zealand on her own. This book reminds me of Ali Smith’s The Accidental – the run on sentences and the recklessness and the slippery protagonist – if the Accidental had just stuck with the irreverent Amber. Nobody is Ever Missing has a really distinctive voice that won’t be for everyone, but I have a soft spot for books about women like Elyria; women who are young and struggling to work out who they are versus who those around them want or expect them to be.

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Fell by Jenn Ashworth.
If books always had their own fragrance, Fell would smell like saltwater and mildew. Narrated by the ghosts of the Annette’s parents as they watch their adult daughter return to their dilapidated family home, Fell is a ghost story unlike any other. Fell isn’t trying to be frightening or overly melancholic, but it strikes a chord somewhere between a thriller and a nostalgic telling of a childhood lost. As I read Fell, I understood that Jenn Ashworth is a writer that I just implicitly trust to take me somewhere I want to be. (Although I also feel like I need to reread A Kind of Intimacy with my fat politics hat on so there’s that). (UK release: July 14th).

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The Vegetarian by Han Kang.
The Vegetarian is one of those books that crawled into my heart and died there. It’s so much darker than I imagined, with some beautiful and disturbing imagery that I’m sure I won’t forget for a very long time. There is a duality between beauty and ugliness in The Vegetarian: flowers painted on naked skin, nipples through a summer shirt. It’s a slim volume that cut deep, that really hurts, like a hangnail or a papercut.

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I Love Dick by Chris Kraus.
This is one of those marmite books: some readers say it’s one of the most important books they’ve ever read whilst others seem to hate it. Ever the contrarian, I feel the same way about I Love Dick as I do about marmite: yeah it’s alright. I like it as a crisp flavour but I wouldn’t have it on toast. It’s a book about obsession and the breaking down of socially constructed barriers. It’s also a book about intellectualism and fucking (is that a genre?). It reminded me of a more theory-drenched (dare I say less engaging?) Eat My Heart Out by Zoe Pilger. I love books about women going off-piste and breaking rules and hearts and records for wild behaviour though, so of course I lapped this up.

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Smokin Books

April: Smokin’ Books

I’ve started to write little book reviews on Instagram (#smokinbooks via @smokintofu) and honestly, I’m having the time of my life. I’ve never felt more alive. Here’s April’s edition of Smokin’ Books:

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With a small town backdrop of secluded woodlands and a remote lake, best friends Dex and Lacey take turns to tell their story. It’s a bloody story, a story of sex, death, rumours, Satanism and Kurt Cobain. Girls on Fire thrums with the hot, heavy rawness of early Nirvana and burns with the witchy intense passion of a teenage girl. Read it if you like Megan Abbott’s The Fever, Rachel Klein’s The Moth Diaries, Jenn Ashworth’s Cold Light or Gillian Flynn’s Dark Places.

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The Lie Tree by Frances Hardinge won the Costa Book of the Year 2016 – a banging accolade, but also because this makes Hardinge the first female YA author to win the overall prize (the first and only other Costa Children’s Book category winner to win the Book of the Year was Philip Pillman’s the Amber Spyglass in 2001. Make you think). It’s a slippery book about gender and death in the Victorian scientific community, but it’s also about family, loss, lies, ambition, social class and (most importantly) a fucking cracking ghost subplot. Faith is a riveting and fearless protagonist and I gulped through this book.

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If you haven’t come across Caitlin Doughty’s YouTube series Ask a Mortician, you’re in for a treat (if you can get past the wackiness – which I struggled with at first, but I overcame it due to the top notch content). Death according to Doughty is a complicated and taboo business – business in the literal, capitalist sense of the word. Doughty’s book is part memoir, part anthropological study and part history lesson. I love her voice because her use of humour juxtaposed with empathy reminds me of my father and the way he talked about his job as a surgeon: with wit and with passion, but ultimately with respect. This book won’t be for everyone (Doughty doesn’t believe in shying away from the nitty gritty and spares few details), but I urge you all to engage with the death-positive movement and give it a go.

Hanya Yanagihara-A Little Life



Everyone said it’s totally devastating. It is indeed totally devastating. A Little Life is a beautifully written, meticulously crafted novel that delivers the inevitable emotional sucker punch I was promised.

Although the blurb claims A Little Life is about four college graduates based in NYC, it’s really about Jude. It’s impossible to read A Little Life without falling in love with Jude, without obsessively worrying about Jude, without hoping that Jude gets some kind of respite from his traumatic past and painful present.

It’s a meandering, ponderous novel with the self-indulgence that only literary fiction can get away with. It’s also relentless: relentlessly grim, relentlessly harrowing, relentlessly hyerbolically traumatic. The detailed account of physical, emotional and sexual abuse is exhausting – but only because the characters are all so well formed, their pain and fears feel completely real. The thing is – and I feel like I must be the only person on the planet that felt this way – I’m not sure I particularly enjoyed the journey. By the time I reached the 700th page I just wanted the whole experience to be over.